Alejo Carpentier's Chart

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Alejo Carpentier
Cuban novelist, essayist, and musicologist who greatly influenced Latin American literature during its famous "boom" period. Born in Lausanne, Switzerland, Carpentier grew up in Havana, Cuba, and despite his European birthplace, he strongly self-identified as Cuban throughout his life. He traveled extensively, particularly in France, and to South America and Mexico, where he met prominent members of the Latin American cultural and artistic community. Carpentier took a keen interest in Latin American politics and often aligned himself with revolutionary movements, such as Fidel Castro's Communist Revolution in Cuba in the mid-20th century. Carpentier was jailed and exiled for his leftist political philosophies. With a developed knowledge of music, Carpentier explored musicology, publishing an in-depth study of the music of Cuba, La música en Cuba and integrated musical themes and literary techniques throughout his works. He explored elements of Afro-Cubanism and incorporated the cultural aspects into the majority of his writings. Although Carpentier wrote in a myriad of genres, such as journalism, radio drama, playwrighting, academic essays, opera and libretto, he is best known for his novels. He was among the first practitioners of magical realism using the technique, lo real maravilloso to explore the fantastic quality of Latin American history and culture. The most famous example of Afro-Cuban influence and use of lo real maravilloso is Carpentier's 1949 novel El reino de este mundo (The Kingdom of this World) about the Haitian revolution of the late 18th century. Carpentier died in Paris on 26 April 1980 and was buried in Havana's Colon Cemetery with other Cuban political and artistic luminaries.
Date of birth 1904-12-26
Time of birth 21:30
Gender Male
Place of birth Lausanne, Switzerland
bodygraph
Rave Chart Analysis
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Projector,
1/4 Investigator/Opportunist
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Open aura
Focused aura
Not-Self: Bitterness from feeling unappreciated
Strategy: In the thick of it all
As a Projector, you are among only 21% of the world's population. You need to be in the thick of things, to be invited to the party, the dinner, to be recognized by others. You’re not comfortable initiating the action yourself. Being a Projector, you need people quite a lot, so it’s a good thing you have an intrinsic understanding of others. You have a deficit of internal energy, but, despite this, you’re confident, firm, just. Projectors are great in leadership roles, as they know how to manage people, and steer them toward great work.
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Pros of being a Projector
You are serene, calm, even charismatic when you’re in a harmonious state. You excel at dialoguing with others, and also serving as a mediator between opposing sides. You know how to manage affairs both at work and at home.
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Cons of being a Projector
You crave recognition, but you want it to occur spontaneously. You absolutely hate having to wait for an invite, or approval, or accolades. This, of course, impacts your emotional state—jealousy, envy, resentment may ensue.
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Alejo Carpentier's Path with Human Design
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Alejo Carpentier, a profound thinker and writer, has navigated his life journey through the lens of his Human Design as a Projector with a 1/4 profile — the Investigator/Opportunist. This unique design has allowed him to deeply immerse himself in the world of literature and opportunity-seeking partnerships. His investigative nature helped him explore new dimensions in writing, while his opportunistic traits opened doors to collaborations that elevated his literary voice. Having understood himself better, he effectively harnessed his energy and intuition to make influential decisions, leading to a lasting impact in the literary world.
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