André Baugé's Chart
André Baugé
French baritone, active in opera and operetta, who also appeared in films in the 1930s.
The son of Alphonse Baugé, a vocal teacher, and Anna Tariol-Baugé a soprano active in operetta, he studied with his parents and appeared in the French provinces billed as André Grilland.
He made his debut at the Paris Opéra-Comique as Frédéric in Lakmé in 1917. A pensionnaire at the Opéra-Comique until 1925, he appeared as Clément Marot in La Basoche, Sylvanus in Au Beau Jardin de France, Figaro in Le Barbier de Séville, Escamillo in Carmen, Alfio in Cavalleria Rusticana, Don Giovanni, Clavaroche in Fortunio, and so forth.
In 1925 he sang in the French premiere of Monsieur Beaucaire and moved into the field of comédie musicale and Viennese operetta. A succession of appearances in that genre followed.
On film he appeared in La Route est belle, one of the first films with sound (1929–1930, music by Szulc) and other films up to 1935 when he returned to the theatre. As well as contributing to the books of several productions (Vouvray, Cinésonor) he designed the cover for the score of Venise by Richepin. He was for a time the director of the Trianon-Lyrique in Paris.
He was the author of the libretto of an opéra-bouffe in three acts entitled tableaux Beaumarchais, using Rossini's music arranged by Eugène Cools (1877-1936), which was premiered at the Théâtre des Variétés in Marseille in 1931. After the war he taught at the École Normale. He left recordings of songs from many of his roles, and some of these have been re-issued on CD.
His wife was the singer Suzanna Laydeker (who also appeared as Laydeker-Baugé and died in 1980). He died on 25 May 1966 in Clichy-la-Garenne.
Date of birth 1893-01-04
Time of birth 14:00
Gender Male
Place of birth Toulouse, France
Rave Chart Analysis
Manifestor,
6/2 Role Model/Hermit
6/2 Role Model/Hermit
Closed aura
Not-Self: Anger
Strategy: Initiating action
Not-Self: Anger
Strategy: Initiating action
As a Manifestor, you’re among only 10% of the global population. Manifestors are the most independent, go-getting of the Types. You don’t wait for other people to give you the green light, or to weigh your options, or wait for a better time—you just make it happen. Why not? You know what to do better than anyone else does, right? That’s why you embrace change, and new accomplishments.
Pros of being a Manifestor
You can charge through any obstacles to reach your goal, ascend to the top. Lazy? Not you! You don’t know the meaning of idleness.
You embody purpose, responsibility, confidence. And you can go it alone to reach that goal.
Cons of being a Manifestor
You have a hard time understanding why other people can’t be as independent as you in their own achievements. Because of this, you can be impatient and short-tempered. For you, after all, everything comes easy.
You also can’t stand it when you’re facing constraints. You need absolute freedom to do what you want, when you want, and everybody else better stay out of the way. Unfortunately for you, social constraints keep you in check.
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André Baugé's Path with Human Design
Get startedAndré Baugé, renowned for his operatic brilliance, thrived as a Manifestor with a 6/2 profile. His innate ability to inspire and lead, as characterized by his Manifestor energy, propelled him to success in the entertainment world. Balancing his role model presence with the introspection of a hermit, Baugé's Human Design enabled him to pioneer new paths, leaving a lasting legacy. His 'role model' line led him to become an icon in his field, while his 'hermit' energies allowed for deep personal growth, which enriched his artistry.
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