Art Pepper's Chart

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Art Pepper
American alto saxophonist and very occasional tenor saxophonist and clarinetist, a longtime figure in West Coast jazz. He was the star saxophone player with Stan Kenton's orchestra in the '40s. His career faltered when he went too far into drug abuse, but he turned it around and rebuilt his reputation. Art Pepper’s phenomenal musical gifts developed early. From the time he took up the saxophone at the age of 12, he proved such a natural talent that soon he was jamming around L.A. with musicians like Zoot Sims and Dexter Gordon. He served in the military from 1944 to 1946 and then had some of his happiest days when he played lead alto with Stan Kenton from 1947 to 1952. But after this meteoric rise, his demons took over. He was an addict, thief, alcoholic, womanizer and wild man. The 1950s found Pepper recording frequently both as a leader and a sideman resulting in at least two classics ("Plays Modern Jazz Classics" and "Meets the Rhythm Section"). He spent two periods in jail due to drug offenses during 1953-1956. Pepper was in top form during his recordings for Contemporary label of 1957-1960 but then his career was sidetracked with long prison sentences during the 1960s. In his occasional gigs between jail terms, he adopted a harder tone influenced by John Coltrane that disturbed some of his longtime followers. He recorded with Buddy Rich in 1968, then became seriously ill, leading to a rehab at Synanon from 1969 to 1971. Pepper began his serious comeback in 1975 and with the help of his wife, Laurie, he not only returned to his former level but topped himself. He played with startling emotional intensity. Occasionally he showed his versatility by playing clarinet. His recordings from that period for Contemporary and Galaxy rank with the greatest work of his career. Pepper's autobiography "Straight Life" is a brutally honest book that details his sometimes-horrifying life. When Art Pepper died on 15 June 1982 in Panorama City, California of natural causes he had attained his goal of becoming one of the world's great altoists.
Date of birth 1925-09-01
Time of birth 13:40
Gender Male
Place of birth Gardena, California
bodygraph
Rave Chart Analysis
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Projector,
4/6 Opportunist/Role Model
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Open aura
Focused aura
Not-Self: Bitterness from feeling unappreciated
Strategy: In the thick of it all
As a Projector, you are among only 21% of the world's population. You need to be in the thick of things, to be invited to the party, the dinner, to be recognized by others. You’re not comfortable initiating the action yourself. Being a Projector, you need people quite a lot, so it’s a good thing you have an intrinsic understanding of others. You have a deficit of internal energy, but, despite this, you’re confident, firm, just. Projectors are great in leadership roles, as they know how to manage people, and steer them toward great work.
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Pros of being a Projector
You are serene, calm, even charismatic when you’re in a harmonious state. You excel at dialoguing with others, and also serving as a mediator between opposing sides. You know how to manage affairs both at work and at home.
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Cons of being a Projector
You crave recognition, but you want it to occur spontaneously. You absolutely hate having to wait for an invite, or approval, or accolades. This, of course, impacts your emotional state—jealousy, envy, resentment may ensue.
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Art Pepper's Path with Human Design
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Art Pepper, renowned for his impactful jazz performances, embraced his Human Design as a Projector with a 4/6 Opportunist/Role Model profile. This allowed him to harness opportunities that came his way, using his interactions and networks to amplify his career. As a Role Model, Pepper matured through his experiences, evolving into a figure of wisdom and insight within the jazz community. His Human Design helped him navigate his life with clarity and purpose, allowing his artistry to flourish beyond traditional boundaries, and connecting deeply with audiences.
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